The Martian LEGO set has reached 10'000 supporters

The Martian LEGO set product idea, created by Steve Iuliano aka Mr Sci-Fi, has reached 10'000 supporter threshold on LEGO Ideas. Now it will go through a review by LEGO and, if approved, the final design will be created and made purchasable as a real LEGO Ideas set. The set includes Mark Watney's Habitat (HAB), Mars Ascent Vehicle (MAV), Rover and the NASA's Pathfinder probe and Sojourner rover found by Mark Watney during his voyage in the famous 2015 sci-fi movie The Martian.

Exterior and interior view of the Habitat (HAB):

Mars Ascent Vehicle (MAV) with separable Command Module:

Mars Exploration Rover:

Road to the Quarry - Part 7 of Martian sketches by Andrey Maximov

Environment concept artist Andrey Maximov from Armenia has created an impressive set of artworks called Martian sketches depicting a "routine" journey to Mars in 2089. He has just published another 5 pages of those sketches (currently 40 in total). As the artist describes them: "this series is kind of like the road sketches of a member of an expedition to Mars. It's a routine flight in the not-too-distant future. The planet is more or less inhabited. We have an orbital station around Mars. There are already several settlements on the surface, mining is going on."

• 1st part (10 sketches) of Andrey's Martian sketches depicted the expedition leaving Earth;
• 2nd part (5 sketches) depicted expedition's arrival to "International Mars Orbital Station";
• 3rd part (6 sketches) depicted spaceport "Anteros" on Mars.
• 4th part (4 sketches) depicted expedition's road to the "Harmonia City".
• 5th part (5 sketches) depicted the multi-leveled "Harmonia City" on Mars.
• 6th part (5 sketches) depicted southern (industrial) district of the "Harmonia City".

Here is 7th part (5 sketches) depicting expedition's road to the aluminum quarry:

Wilhelm Beer Valley:

Southern District - Part 6 of Martian sketches by Andrey Maximov

Environment concept artist Andrey Maximov from Armenia has created an impressive set of artworks called Martian sketches depicting a "routine" journey to Mars in 2089. After a year's break he has published another 5 pages of those sketches (currently 35 in total). As the artist describes them: "this series is kind of like the road sketches of a member of an expedition to Mars. It's a routine flight in the not-too-distant future. The planet is more or less inhabited. We have an orbital station around Mars. There are already several settlements on the surface, mining is going on."

• 1st part (10 sketches) of Andrey's Martian sketches depicted the expedition leaving Earth;
• 2nd part (5 sketches) depicted expedition's arrival to "International Mars Orbital Station";
• 3rd part (6 sketches) depicted spaceport "Anteros" on Mars.
• 4th part (4 sketches) depicted expedition's road to the "Harmonia City".
• 5th part (5 sketches) depicted the multi-leveled "Harmonia City" on Mars.

Here is 6th part (5 sketches) depicting southern (industrial) district of the "Harmonia City":

Mars terraforming outpost

Picture of the Day 14/07/2025 - visualization of a terraforming outpost on Mars by Sebastian Esposito. The outpost unfolds across the rust-red plains of Mars, its gleaming geodesic domes and translucent greenhouses springing to life amid an otherwise barren landscape. Billowing plumes of vapor rise from atmospheric processing units - an effort to thicken the thin, carbon-dioxide-rich air, while clusters of solar arrays and modular habitats stretch toward the hazy horizon. Nearby, rockets stand ready to ferry supplies and settlers between the outpost and orbiting stations, underscoring humanity’s bold commitment to transform the Red Planet from a cold desert into a living world.

NASA's astronauts exploring Phobos

In this NASA concept rendering, an astronaut in a bulky EVA suit stands on the jagged, crater‑pocked surface of Phobos, Mars’s largest and closest moon, as the ruddy disk of Mars looms enormous on the horizon. The uneven regolith stretches out toward a steep crater rim, inside which a fleet of landers and robotic hopper vehicles carry out survey operations.

The render is sourced from NASA's video "Pioneering Space" published 10 years ago:

Mars Cycler visualization by Walter Myers

Mars cycler is a specialized orbital trajectory designed to shuttle spacecraft between Earth and Mars on a regular, repeating schedule. First proposed by astronaut Buzz Aldrin in the mid-1980s, a cycler orbit intersects both planets’ paths repeatedly, allowing a dedicated transport vehicle - the "cycler" - to swing by Earth, pick up crew or cargo, then cruise through interplanetary space before encountering Mars again. Because the cycler itself never needs to slow down or perform large propulsive maneuvers to match planetary velocities, only small “taxi” vehicles are required to ferry astronauts between the cycler and each planet. This minimizes the delta‑V (fuel) requirements for the main habitat, making long-term habitation modules, radiation shelters, or artificial‑gravity setups more economical and sustainable across multiple missions.



Beyond fuel savings, cycler systems offer significant advantages for crew health and mission logistics. The consistent schedule - typically once every 2.1 years for Earth-Mars synodic alignment - means that life‑support, water, and radiation shielding infrastructure can remain aboard the cycler, reducing the need to rebuild or resupply large habitats for each departure. Cyclers can also be designed to generate artificial gravity through rotation, mitigating the deleterious effects of microgravity on astronauts during the months‑long journey. However, practical implementation faces challenges: fine-tuning phasing maneuvers to ensure planetary fly‑bys occur at the correct times, performing occasional station‑keeping burns to counter perturbations, and integrating Earth and Mars rendezvous vehicles into a coherent logistical framework. Despite these complexities, Mars cyclers remain a compelling vision for establishing a reliable, reusable link between Earth and the Red Planet.

Here is a visualization of a Mars Cycler by US sci-fi artist Walter Myers:

Evolution of SpaceX' vision for human colony on Mars

From 2017 onward, SpaceX steadily refined their vision for the 1st human colony on Mars - from the debut of early visuals of an ambitious Mars City during the BFR (Big Falcon Rocket) unveiling, to increasingly detailed illustrations by 2019 showcasing the gleaming stainless‑steel Starship touching down and launching from this base. The 2022 update introduced animations emphasizing mission sequence - transports arriving, crewed modules landing, and a functioning spaceport. By April 2024, the concept had matured into a recognizable, modular Mars habitat design centered around a robust Starship fleet. Finally, in May 2025, the latest rendering unveiled a full-fledged Martian city with partially underground habitats to shield against radiation and Tesla Optimus robots constructing the city, marking the culmination of conceptual evolution from isolated landing pads to a thriving, self‑sustaining urban landscape on Mars.

September 2017

On September 29, 2017, Elon Musk provided 2nd annual presentation of the Starship architecture (then called BFR or Big Falcon Rocket). During the presentation titled "Making life multiplanetary" first official SpaceX visualizations for a Mars City were provided:

March 2019

On March 22, 2019, Elon Musk visited Doyle Ryder Elementary school in Flint, Michigan and demonstrated a new video of SpaceX's Starship landing at Mars Base Alpha:

SpaceX Starship Mars mission update 2025

On May 29th at Starbase, Texas SpaceX CEO and lead designer Elon Musk provided an update of SpaceX's Starship Mars architecture "The Road to Making Life Multiplanetary". Here are slides from his presentation.

Full presentation:

Slides from the presentation

Starship mission timeline for next 4 Earth-Mars transfer windows every 26 months:

The next opportunity is in the end of 2026, with landing in 2027:

SpaceX Mars mission in 2026:

SpaceX Mars mission in 2028:

You woke alone in a Martian base.. only to discover you are not quite alone..

Moons of Madness is a first-person cosmic horror adventure game released in 2019. Set in a near-futuristic Martian research outpost, the game blends hard science fiction with Lovecraftian horror, drawing inspiration from works like The Martian and H.P. Lovecraft’s mythos. The narrative follows Shane Newehart, an engineer tasked with maintaining the outpost until a relief team arrives on the transport ship Cyrano. The game’s depiction of the Martian outpost and its pervasive atmosphere of loneliness and abandonment are central to its immersive, unsettling experience.

The Martian outpost, Trailblazer Alpha, is a meticulously designed, state-of-the-art research facility built by the Orochi corporation to investigate a mysterious signal of intelligent origin detected from Mars. The outpost is a believable blend of scientific realism and eerie desolation, featuring functional areas like a greenhouse, infirmary, research labs, and solar panel arrays, all inspired by real-world Mars mission planning. The environment is detailed with personal touches – photo frames, workstations, coffee machines, and sticky notes – that evoke a sense of lived-in habitation, contrasting sharply with the growing sense of decay and neglect. As Shane navigates the base, he encounters malfunctioning systems, such as a flooded greenhouse filled with strange mist, Martian dust leaking into the infirmary, and alien-like, tentacle-covered vines sprawling across corridors, hinting at an otherworldly presence. The stark, rust-colored Martian landscape outside, with its dust clouds and desolate vistas, amplifies the outpost’s isolation, while the interior’s claustrophobic corridors and flickering lights enhance the feeling of being trapped in a failing, abandoned structure.

Shane, with limited security clearance, is unaware of the outpost’s true purpose and isolated from the broader mission, fostering a sense of disconnection from his colleagues and the world. His team’s absence – unexplained as they fail to return from an EVA mission – deepens this solitude, leaving him to face the outpost’s breakdowns alone. The narrative introduces psychological horror through Shane’s hallucinations and visions, possibly tied to his mother’s mysterious disappearance and his own fragile mental state, blurring the line between reality and madness. Cryptic messages, such as “They Never Turn Away!” scrawled on bulletin boards, and encounters with eerie entities like the “Thing in the Mist” intensify the feeling of being watched yet utterly alone. The outpost’s gradual transformation, with alien growths overtaking its once-functional spaces, mirrors Shane’s descent into isolation, as the environment itself seems to reject human presence.

The game’s pacing reinforces these themes, starting with routine tasks like aligning solar panels or repairing rovers, which ground players in Shane’s solitary duties, before escalating into survival against supernatural threats. The lack of combat mechanics heightens vulnerability, forcing players to confront the outpost’s dangers with only their wits, further emphasizing helplessness. While the story’s later plot twists – such as the revelation of Martian technology stabilizing the moons Phobos and Deimos as dormant elder gods – can feel disjointed, the atmosphere of loneliness and abandonment remains consistent, making Trailblazer Alpha a haunting stage for Shane’s unraveling psyche.

Here is a collection of images from the game, focusing on depiction of the Martian base:

A vision of artificial lakes & canals on Mars

Visualization of a concept for terraforming the arid, inhospitable and rust-colored expanses of Mars into habitable regions through a vast network of engineered hydrospheres. The concept envisions carving vast artificial lakes into the planet’s craters and basins, filling them with water sourced from subsurface ice and channeled through a network of canals (after increasing air pressure and temperature on Mars in the prior terraformation stage, allowing water to flow on the planet's surface). These lakes, featuring engineered habitats on artificial islands, would be interconnected to form a sprawling waterway system across the Martian terrain. By introducing liquid water to the surface and gradually transforming the barren landscape into a more habitable environment, this vision seeks to foster the development of self-sustaining colonies on these island habitats, laying the foundation for humanity’s long-term presence on the Red Planet.

The image was originally created in 2010 by Japanese illustrator Tetsuya Mizuno (Watermark) for the futuristic Desert Aqua-Net Plan by Japanese construction firm Shimizu Corporation.